Vacation, anyone? If your passport is gathering dust and your carry-on’s calling, Louis Vuitton has just the thing to make you fall back in love with travel. The House’s Resort 2025 collection has officially landed in the Louis Vuitton store at Solaire, bringing with it a wardrobe of wanderlust and one impossibly rare piece that makes the trip worth taking.
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Resort has always been a tribute to movement. It’s where Louis Vuitton’s legacy of travel and craftsmanship looks through clothes meant to be lived in—from city to shore, cobblestones to coastline. For Resort 2025, the collection champions fluid lines, weightless layers, and breezier rhythm that belongs in first class but lives just as well in the everyday. Whether your idea of escape is Amalfi or Amanpulo, the Vuitton woman moves like she means it.


The real souvenir is a Philippines-exclusive Capucines that’s already the stuff of handbag legend. Only seven were made. As of this writing, only four remain.

The ultra-limited edition Wicker Capucines comes in a medium size, woven from natural raffia and crowned with a bold red crocodile flap. It’s an objet d’art disguised as an everyday bag, and one that channels the country’s craft traditions without ever slipping into the expected.


Just as Manila basks in a summer of luxury, a touch of nostalgia returns to say goodbye. The final chapter of Louis Vuitton x Takashi Murakami is here. The third and last release of their celebrated collaboration brings back the cheeky Cherry motif, reimagined across classic silhouettes with the help of House Ambassador Zendaya. It’s a fitting finale to a trilogy that once defined a decade—and now closes a flourish of summer color.


Travel has always been a state of mind for Louis Vuitton. With Resort 2025, that mind is somewhere between memory and movement, romance and realism. And maybe, if you’re lucky, holding a Capucines that’s already halfway to myth.

Louis Vuitton Resort 2025 and Takashi Murakami collaboration is available at Greenbelt 3 and The Shoppes at Solaire
Photographed by GRANT BABIA
