The most anticipated fashion event of the year arrives with a theme simply titled “Fashion Is Art.” Unlike previous years’ highly specific dress codes, this year’s concept is deliberately open-ended, inviting designers and guests alike to treat the body as a blank canvas. Ambiguous, yes—but far from empty. Fashion has always been art, and the runway has long known it.
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Robert Wun
Regularly seen on the Met Gala steps, Robert Wun is known for his fantastical, almost haunting designs. Larger-than-life structures, stain-like embellishments, and glittering ensembles that rival the cosmos make his creations undeniable must-haves on the blue carpet.
Iris Van Herpen
Iris van Herpen’s designs are perpetually breathtaking. Through flowing fabrics and intricate beading, her exploration of nature, science, dance, and architecture transcends fashion altogether—transforming each piece into art that feels destined for a museum, meant not only to be worn, but to be studied.
Thom Browne
For both men and women, Thom Browne has redefined runway tailoring. Through intentional layering, sharp deconstruction, and a striking balance between artistic exposure and rigid structure, his designs blur the line between fashion and performance. While men will undoubtedly gravitate toward his tailored expertise, last year’s women proved just how transformative his vision can be—hinting at unexpected moments to come.
Schiaparelli
It’s impossible to discuss wearable art without mentioning Schiaparelli. Known for its surrealist codes, sultry silhouettes, and masterful creative engineering, the house is practically a Met Gala staple. Schiaparelli doesn’t just design garments—it creates art.
Dior
Dior has a way of wrapping women in art. Each creative era has maintained a deep connection to the Dior woman, expressed through dreamy silhouettes and airy constructions that rival fine art itself. These are pieces that belong in museums—both in the archives and on today’s runway.
Rahul Mishra
Rahul Mishra’s haute couture collections are works of art in their own right. Each piece is a finished canvas worn by the model, designed to evoke emotion and contemplation. Every collection tells a story—and the Met Gala is precisely the stage where his work deserves wider recognition.
Gaurav Gupta
Gaurav Gupta has firmly established himself as one of fashion’s most visionary designers, with creations frequently gracing the Met Gala. Known for his mind-bending silhouettes and sculptural forms, he remains a constant point of conversation—especially during Haute Couture Fashion Week.
Alexander McQueen
Ah, the great Alexander McQueen. With ready-to-wear collections that are artworks in their own right, the house has always pushed fashion beyond the familiar—daring, provocative, and unapologetically bold. Long regarded as fashion’s ultimate rule-breaker, its presence at the Met Gala feels less like a possibility and more like an inevitability. The only real question is: who will rise to the occasion in McQueen?
Hussein Chalayan
An intellectual force in fashion, Hussein Chalayan seamlessly blends technology, architecture, and conceptual art with couture-level craftsmanship. His avant-garde designs have long existed on a Met Gala plane—where fashion becomes both statement and inquiry. It only feels right for his work to grace the blue carpet time and time again, offering a masterclass in innovation for all to witness.
Comme des Garçons
Japanese label Comme des Garçons is a pioneer—and steadfast champion—of avant-garde fashion. Known for its bold, otherworldly, and sculptural designs, the house creates pieces that demand conviction from the wearer. If fashion is truly art, Comme des Garçons stands firmly at the forefront, instantly recognizable for its dramatic, balloon-like silhouettes that refuse to blend in.
As the Met Gala turns its gaze toward fashion as art, it merely acknowledges what the runway has always been: the first gallery. Long before garments reach archives or museum walls, they are unveiled in motion—alive with intention, emotion, and craft. And when these creations finally ascend the Met steps, they arrive not as costumes, but as masterpieces stepping out of the gallery and into history.
Featured Image and Photos: SCHIAPARELLI, ROBERT WUN, IRIS VAN HERPEN, THOM BROWNE, DIOR, RAHUL MISHRA, GAURAV GUPTA, FIRST VIEW, SHOW STUDIO (via Website)
Frequently Asked Questions
Designers like Robert Wun, Iris van Herpen, Thom Browne, and Schiaparelli are highly anticipated due to their historical focus on sculptural, avant-garde, and surrealist wearable art.
The Met Gala 2026 theme is titled “Fashion Is Art,” an open-ended concept that invites designers and attendees to treat the human body as a living canvas.
Schiaparelli is a natural fit for the art-centric theme because the fashion house relies on classic surrealist design codes, dramatic structural engineering, and wearable fine art concepts.
Iris van Herpen blends nature, science, and architecture into fluid, high-tech haute couture pieces that function less like traditional garments and more like physical museum exhibits.
Yes, pioneering avant-garde houses like Comme des Garçons are expected to excel under this theme due to their history of creating highly structural, boundary-pushing, balloon-like silhouettes.

Moira Del Rosario
Once immersed in fictional writing at UP Diliman, Moira del Rosario eventually traded imagined worlds for the fast-paced landscape of digital media as a Digital Content Writer for MEGA Asia, covering women’s stories across the region alongside the latest in beauty.
They spotlight women shaping culture today through profiles, exclusive features, and roundups on Asian representation at global fashion events. They also write about beauty through a growing lens—covering makeup, skincare, wellness, nails, and fragrance with curiosity and a strong eye for emerging trends.
Having worked in digital media for years, Moira is drawn to stories that beg to be unraveled—from the ever-changing landscape of pop culture and the inner workings of beauty to queer voices that deserve to be seen, celebrated, and championed.
