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130 Years Later, the Louis Vuitton Monogram Is Still in Motion

In Zendaya, the Louis Vuitton monogram moves with the times while carrying history intact.

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When a young Louis Vuitton arrived in the city toward the middle of the nineteenth century, he found a world in transition. People were beginning to move faster than ever before as horse-drawn carriages were traded for the speed of trains and ships. During this era of rough travel, the role of a craftsman was to act as a guardian for a traveler’s most precious belongings. An apprenticeship under Monsieur Maréchal taught Vuitton that a box was a vessel for a person’s life.

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YOUNG LOUIS VUITTON
YOUNG LOUIS VUITTON
VINTAGE ADVERTISEMENT, 1930s
VINTAGE ADVERTISEMENT, 1930s

The House’s Initials

After nearly two decades of mastering the art of the custom trunk, he established his own workshop near the Place Vendôme. It was here that the philosophy of the House was truly forged. His trade was built on listening to the specific wishes of a client and translating those needs into wood, leather, and canvas. 

THE SPEEDY
THE SPEEDY

As the years stretched and his descendants followed his path, the House turned to softer luggage. In the early part of the twentieth century, the need for practicality birthed the Noé, a bag originally designed for carrying bottles of champagne. Soon after, the Speedy emerged as a response to a new demand for freedom of movement. By the time the Alma arrived, it brought with it a sense of Parisian poise, while the Neverfull eventually bridged the gap between the heritage of vintage trunk linings and the relentless demands of modern life.

zendaya for louis vuitton
zendaya for louis vuitton

Today, this long history of craftsmanship finds a new voice in Zendaya, who brings a renewed energy to the storied Speedy. In her hands, the bag feels as relevant today as it did when it first captured the spirit of a mobile generation. While the ways we travel have changed since Louis first set foot in Paris, the desire to carry our world with us remains exactly the same.


Photos: LOUIS VUITTON (via Website)

Frequently Asked Questions

The Louis Vuitton monogram was introduced in 1896 by Georges Vuitton, the founder’s son, as a tribute to his late father and a measure against counterfeiting. The 130th anniversary marks over a century of the monogram’s continuous presence across the house’s trunks, luggage, and ready-to-wear accessories.

The Speedy emerged in the early twentieth century as Louis Vuitton responded to growing demand for lighter, more portable luggage. It has since become one of the house’s most enduring silhouettes, recently brought into a new cultural moment through its association with Zendaya as a Louis Vuitton house ambassador.

Louis Vuitton arrived in Paris in the mid-nineteenth century and apprenticed under a trunk-maker named Monsieur Maréchal, learning to build custom trunks suited to the era’s rail and sea travel. He later established his own workshop near the Place Vendôme, where the house’s philosophy of client-driven craftsmanship was first formed.

Among the house’s most recognized silhouettes are the Noé — originally designed to carry champagne bottles — the Speedy, the Alma, and the Neverfull. Each emerged at a different moment in the twentieth century in response to shifting demands for portability, structure, and everyday utility.

Zendaya serves as a house ambassador for Louis Vuitton and has been closely associated with the Speedy bag in the brand’s current campaigns. Her involvement brings renewed visibility to one of the house’s most historic silhouettes, connecting its legacy of mobility and craftsmanship to a contemporary audience.

Anya Oxyn

Anya Oxyn

Senior Fashion Writer

Formerly a stylist who immersed herself intimately within the Philippine fashion circuit for over three years, Anya has refined her transformative, hands-on experience into an insightful voice for MEGA Asia as a Senior Fashion Writer.

Her editorial pursuit possesses three facets: her time as an essayist during her education at Pamantasan ng Lungsod ng Maynila, her extensive experience in digital media and strategic storytelling, and her belief that fashion has a beating heart deeply intertwined with art, culture, society, and humanity itself that is worth uncovering.

Anya’s versatile pen spans a dynamic range of subjects, including emerging local designers, global luxury houses, beauty trends, film and television fashion analysis, cultural op-eds, major events, and beyond.

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