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When we look in the mirror, we often see a series of partitions. We see the self versus the other, or even the masculine versus the feminine. Modern life is largely built upon these neat, convenient rows of opposites. We find comfort in naming things, believing that if we can label something, we can finally understand it. Yet, this habit of sorting the world into binaries is too divisive for Indian fashion designer Gaurav Gupta. To him, true connection exists in between two points where categories dissolve, as seen in his S/S26 Haute Couture presentation.




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A Unified Image
Named “The Divine Androgyne,” his show drew from the philosophical foundation of Advait, which views existence as an indivisible whole. Gupta translated this ancient non-duality into garments that served as maps of energy. Sculptural gowns featured handcrafted lace that traced marma points, or energy nodes. Another striking look featured twin flames connected by ribbons. Through these corded lattices, the concept of true communion was deeply felt.




Gupta also integrated deconstructed clock components into the work. These fragments transformed fabrics into figures of the past and the future. On black velvet, metal planets and asteroids formed the cosmos: the human and the universe, life and beyond.




Sacred cultural references appeared in his silhouettes, too, such as sari-inspired webbing and jasmine flowers. By blending these elements, Gupta represented his heritage while reaching toward a speculative future. In his world, all beings are one and the same, and craft exists without borders. Everything that separates us is simply a fabrication.
Photos: GAURAV GUPTA
