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EXCLUSIVE: Trasienne Estrada is a Mysteriously Boho Bride in Vania Romoff

Not your typical bride. Trasienne Estrada’s look by Vania Romoff was soft, strange, and steeped in mood, just the way she likes it.

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EXCLUSIVE: Trasienne Estrada is a Mysteriously Romantic Bride in Vania Romoff

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It had all the marks of a beautiful wedding—vows, lace, the quiet hum of joy and reverence—but the atmosphere lingered with something more elusive. Trasienne Estrada, multi-hyphenate creative behind Float Swim, Weddings by Enne, and Deja Vu Studios,  just tied the knot—and did so as the very picture of a modern bohème bride in Vania Romoff. Here, the newlywed and the designer break down the look for MEGA.

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The mystery seems to be inherent. From her Your Evil Twin days with her twin Tracianne to today, this offbeat, cinematic, and mysterious ease has always been around. Naturally, her wedding to Jonathan De Guzman reflected the same.

Trasienne Estrada shot by Colin Dancel
photographed by colin dancel, ensemble by vania romoff, makeup by mayesa delos santos, hair by patty cristobal

“I’m a very emotional person,” Estrada-De Guzman shares, “and I wanted something that captured both softness and strength—a bit of drama, but still romantic and intentional.” The result was just that.

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“There was a mysterious quality I was aiming for—something that evoked emotion and depth. I’ve always been drawn to vintage elements, A24 movies, and nostalgic tones, and weaving those together created a look that felt like a visual expression of everything I was feeling that day: love, memory, presence, and a little bit of magic,” she goes on to explain.

Trasienne Estrada in Vania Romoff
a full French lace wedding ensemble, photographed by joseph pascual

Romoff, who brought the vision to life, shares that they wanted to create something romantic, yet different. After exploring a few directions, they ultimately landed on a hooded dress made entirely of draped French lace, paired with a traditional mantilla veil reworked onto the bodice to form a soft bubble silhouette from behind.

“Trasienne wanted an easy resort feel that nods to the bohemian effortlessness she embodies,” Romoff elaborates. “So, we kept the dress light and sheer, but cut the hem just above the ankle, making it feel more proper and refined as opposed to something completely bohème.”

traditional mantilla veil, photographed by colin dancel
traditional mantilla veil, photographed by colin dancel

What a feeling this look left behind. True for form, Estrada-De Guzman wasn’t chasing tradition or trends, spectacle or excess. Just her at her most emotional, mysterious, and romantic form.

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Featured Image and Photos: COLIN DANCEL and JOSEPH PASCUAL

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